Jjenna Hupp Andrews
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Watching a      Revolution

Watching a Revolution

“Watching a Revolution: Visual Media as Social Media Narrative", Feminist Interfaces?: Digital Spaces and Social Change (Panel), National Women's Studies Association 2013 Conference, Cincinnati, OH. – November 2013

Abstract: The January 25 Egyptian Revolution started with a video “call-to-arms” posted online by a young woman, the first of innumerable visuals circulated.  Those of us watching the events unfold connected with the Egyptian people’s plight though these visuals that were disseminated across social and digital media. Visual artifacts, whether created by journalists or protestors, functioned to influence global public opinion and cultivate support outside of Egypt through the use of social media. This paper examines these roles these visuals played in the so called “Facebook Revolution”, with a particular focus on the representation of Egyptian women.



  • Home
    • Contact
  • Artwork
    • Current Work >
      • Invisibility is a Superpower
    • Dad, Disappearing
    • Pieta, Gaia
    • Victory of St Wilgefortis, St of Non-Binary & Trans People
    • Creativity in the Time of Covid 19
    • Suffer the little children series >
      • Suffer the Little Children...
      • Suffer the little children, COVID-19 Portrait Series
      • Suffer the little children... War/Refugee Portrait Series
      • Postcards from the forgotten edge of forever
    • SAY HER/HIS/THEIR NAME
    • Selected Artwork
    • Exhibitions >
      • Forms and Figures - 2025
      • Muskegon Museum of Art’s 95th Michigan Contemporary Art Exhibition
      • SAC's Upcycle Art in the Park - 2025
      • BBAC Michigan Fine Arts Competition -2024
      • Fiber Art Now - Excellence In Fibers IX
      • Fiber Art Now - Fiber Reimagined II - 2024
      • Creativity in the Time of Covid-19
      • Of Revolutions, Revelations, Resolutions (and of those left forgotten in between)
      • Mott Art Faculty Exhibition -GFAC
      • The 19th Amendment at 100
      • STATUS 2019
      • Flint City Artists 2019
      • Flint: More than Just Water, and Exhibition
      • ArtPATH Lansing 2018
      • Lifeblood
      • Artists Treading Water
      • Nomadic Boarderlands
      • Second Skin
      • All They Survey
      • Liminal
      • Touching Life
      • intervals…interfaces…interstices
  • Teaching
    • Teaching Philosophy >
      • Teaching Philosophy Essay
    • Courses >
      • Course Descriptions
    • Student Artwork >
      • Drawing 1
      • Two-Dimensional Design
      • Three-Dimensional Design
      • Sculpture
      • In the Studio
    • Professional Development
  • Publications
    • Published Exhibitions
    • Books >
      • Flint Water Crisis
      • Lost In Media
      • Dissertation
    • Articles
    • Presentations >
      • Inclusive Language in the Remote Learning Environment
      • The Water Within LAND Conference 2-7-19
      • Facing College: Engaging International and Immigrant Students through a Collaborative Interdisciplinary Storytelling Project.
      • Seek & Find: Connections
      • Contemporary Artists as Stewardship
      • Act! Do Something
      • Wangechi Mutu
      • Ask me Why I'm RAD
      • Exploring ‘My Place(s) in this World’
      • Watching a Revolution
    • Speaking Engagements >
      • Featured Artist Talk - Creativity in the Time of Covid-19
      • Multiple Identities, Two Cultures, One Voice: The Art & Activism of Contemporary Afro-Latina & Afro-Latinx-Q Artists
      • Don't tell me what to do: Creative Careers Vol. 1
      • The Aesthetic Lens: Engaging Sociopolitical Injustice Through Art
      • Artists Treading Water
      • Social Justice Speaker in Residence
    • Press >
      • Student Project
      • Donor Mural
    • CV
  • Blog