Jjenna Hupp Andrews
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      • Suffer the Little Children...
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      • Fiber Art Now - Excellence In Fibers IX
      • Fiber Art Now - Fiber Reimagined II - 2024
      • Creativity in the Time of Covid-19
      • Of Revolutions, Revelations, Resolutions (and of those left forgotten in between)
      • Mott Art Faculty Exhibition -GFAC
      • The 19th Amendment at 100
      • STATUS 2019
      • Flint City Artists 2019
      • Flint: More than Just Water, and Exhibition
      • ArtPATH Lansing 2018
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      • Flint Water Crisis
      • Lost In Media
      • Dissertation
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      • Inclusive Language in the Remote Learning Environment
      • The Water Within LAND Conference 2-7-19
      • Facing College: Engaging International and Immigrant Students through a Collaborative Interdisciplinary Storytelling Project.
      • Seek & Find: Connections
      • Contemporary Artists as Stewardship
      • Act! Do Something
      • Wangechi Mutu
      • Ask me Why I'm RAD
      • Exploring ‘My Place(s) in this World’
      • Watching a Revolution
    • Speaking Engagements >
      • Featured Artist Talk - Creativity in the Time of Covid-19
      • Multiple Identities, Two Cultures, One Voice: The Art & Activism of Contemporary Afro-Latina & Afro-Latinx-Q Artists
      • Don't tell me what to do: Creative Careers Vol. 1
      • The Aesthetic Lens: Engaging Sociopolitical Injustice Through Art
      • Artists Treading Water
      • Social Justice Speaker in Residence
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“Exploring ‘My Place(s) in this World’ through making art”, Midwest Institute for International & Intercultural Education 21st Annual Conference, Columbus State Community College – April 2014

Abstract: This presentation explores a course module created to challenge students to explore how their lives connect to the lives of others and the world around them through the creation of artwork.  I will be talking about assignments used and showing student artwork that has been created through the implementation of a course module that was developed as a result of the Human Rights and Cultural Diversity workshop at MII in summer 2013. This module is in its second semester of being implemented in an Art Experience studio course, which is a course designed for students not majoring in art. This module was designed to facilitate student visual and conceptual exploration of how they exist in and (can) contribute to the larger world. Thinking like artists, students identify problems, gather information, process it thoughtfully and assess the results. Activities that facilitate this include the investigation of materials, techniques, historical background, contemporary theory and exposure to works by historical and contemporary artists who use visual media to construct, interact with, or affect/challenge their sociopolitical environment/context/world (such as activist artists). Course work is process driven with emphasis placed upon the experience of a variety of art materials and how visual media can be used to express meaning.
  • Home
    • Contact
  • Artwork
    • Current Work
    • Invisibility is a Superpower
    • Dad, Disappearing
    • Pieta, Gaia
    • Victory of St Wilgefortis, St of Non-Binary & Trans People
    • Creativity in the Time of Covid 19
    • Suffer the little children series >
      • Suffer the Little Children...
      • Suffer the little children, COVID-19 Portrait Series
      • Suffer the little children... War/Refugee Portrait Series
      • Postcards from the forgotten edge of forever
    • SAY HER/HIS/THEIR NAME
    • Selected Artwork
    • Exhibitions >
      • Forms and Figures - 2025
      • Muskegon Museum of Art’s 95th Michigan Contemporary Art Exhibition
      • SAC's Upcycle Art in the Park - 2025
      • BBAC Michigan Fine Arts Competition -2024
      • Fiber Art Now - Excellence In Fibers IX
      • Fiber Art Now - Fiber Reimagined II - 2024
      • Creativity in the Time of Covid-19
      • Of Revolutions, Revelations, Resolutions (and of those left forgotten in between)
      • Mott Art Faculty Exhibition -GFAC
      • The 19th Amendment at 100
      • STATUS 2019
      • Flint City Artists 2019
      • Flint: More than Just Water, and Exhibition
      • ArtPATH Lansing 2018
      • Lifeblood
      • Artists Treading Water
      • Nomadic Boarderlands
      • Second Skin
      • All They Survey
      • Liminal
      • Touching Life
      • intervals…interfaces…interstices
  • Teaching
    • Teaching Philosophy >
      • Teaching Philosophy Essay
    • Courses >
      • Course Descriptions
    • Student Artwork >
      • Drawing 1
      • Two-Dimensional Design
      • Three-Dimensional Design
      • Sculpture
      • In the Studio
    • Professional Development
  • Publications
    • Published Exhibitions
    • Books >
      • Flint Water Crisis
      • Lost In Media
      • Dissertation
    • Articles
    • Presentations >
      • Inclusive Language in the Remote Learning Environment
      • The Water Within LAND Conference 2-7-19
      • Facing College: Engaging International and Immigrant Students through a Collaborative Interdisciplinary Storytelling Project.
      • Seek & Find: Connections
      • Contemporary Artists as Stewardship
      • Act! Do Something
      • Wangechi Mutu
      • Ask me Why I'm RAD
      • Exploring ‘My Place(s) in this World’
      • Watching a Revolution
    • Speaking Engagements >
      • Featured Artist Talk - Creativity in the Time of Covid-19
      • Multiple Identities, Two Cultures, One Voice: The Art & Activism of Contemporary Afro-Latina & Afro-Latinx-Q Artists
      • Don't tell me what to do: Creative Careers Vol. 1
      • The Aesthetic Lens: Engaging Sociopolitical Injustice Through Art
      • Artists Treading Water
      • Social Justice Speaker in Residence
    • Press >
      • Student Project
      • Donor Mural
    • CV
  • Blog