Jjenna Hupp Andrews
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      • intervals…interfaces…interstices
    • Suffer the little children series >
      • Suffer the little children, COVID-19 Portrait Series
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      • Lost In Media
      • Dissertation
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      • Inclusive Language in the Remote Learning Environment
      • The Water Within LAND Conference 2-7-19
      • Facing College: Engaging International and Immigrant Students through a Collaborative Interdisciplinary Storytelling Project.
      • Seek & Find: Connections
      • Contemporary Artists as Stewardship
      • Act! Do Something
      • Wangechi Mutu
      • Ask me Why I'm RAD
      • Exploring ‘My Place(s) in this World’
      • Watching a Revolution
    • Speaking Engagements >
      • Multiple Identities, Two Cultures, One Voice: The Art & Activism of Contemporary Afro-Latina & Afro-Latinx-Q Artists
      • Don't tell me what to do: Creative Careers Vol. 1
      • The Aesthetic Lens: Engaging Sociopolitical Injustice Through Art
      • Artists Treading Water
      • Social Justice Speaker in Residence
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intervals…interfaces…interstices
​2003

…intervals…interfaces…interstices
 
The one can and does affect the whole,
and it is from the one who is in living contact
with the interconnected multiverse that creative change begins…
 
intervals…interfaces…interstices  is  a  new  kind  of  sacred  space;
it  is an aesthetic space that becomes a conduit for awareness of the one
as  an  integral  part  an  interconnected  whole.
It  is a space populated by abstract machines  that   can   become aesthetic conduits for creative transformation. 
It  is  not  an environment  populated   by art objects existing to be  looked at,
just as we are not a world of autonomous individuals existing for  our own  pleasure 
(as  much  as we like to think of ourselves as such);
to approach these machines as art objects kills their energies and nullifies their potential.   
They are   assemblages of interconnecting energies creating space for creative flight through active participation.
They are  assemblages for accessing energies that usually lie ignored, unacknowledged and denied.
It is   the  viewer-participant  that  becomes  the  machinic  energy activating the space--touching upon the imperceptible energies
that allow for  the   perceptible  world  we  live  in…
perceiving intervals, interfaces and  interstices for affecting creative change in an interconnected world.

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  • Home
    • Contact
  • Teaching
    • Teaching Philosophy >
      • Teaching Philosophy Essay
    • Courses >
      • Course Descriptions
    • Student Artwork >
      • Two-Dimensional Design
      • Three-Dimensional Design
      • Sculpture
      • In the Studio
    • Professional Development
  • Artwork
    • Exhibitions >
      • Mott Art Faculty Exhibition -GFAC
      • STATUS 2019
      • Flint City Artists 2019
      • Flint: More than Just Water, and Exhibition
      • ArtPATH Lansing 2018
      • Lifeblood
      • Artists Treading Water
      • Nomadic Boarderlands
      • Second Skin
      • All They Survey
      • Liminal
      • Touching Life
      • intervals…interfaces…interstices
    • Suffer the little children series >
      • Suffer the little children, COVID-19 Portrait Series
      • Suffer the little children... War/Refugee Portrait Series
      • Suffer the little children...(Installations)
      • Postcards from the forgotten edge of forever
    • Selected Artwork >
      • Of Umbrellas & Votes
    • In Process >
      • Suffer the Little Children... In Process
      • SAY HER/HIS/THEIR NAME
  • Publications
    • Books >
      • Flint Water Crisis
      • Lost In Media
      • Dissertation
    • Articles
    • Presentations >
      • Inclusive Language in the Remote Learning Environment
      • The Water Within LAND Conference 2-7-19
      • Facing College: Engaging International and Immigrant Students through a Collaborative Interdisciplinary Storytelling Project.
      • Seek & Find: Connections
      • Contemporary Artists as Stewardship
      • Act! Do Something
      • Wangechi Mutu
      • Ask me Why I'm RAD
      • Exploring ‘My Place(s) in this World’
      • Watching a Revolution
    • Speaking Engagements >
      • Multiple Identities, Two Cultures, One Voice: The Art & Activism of Contemporary Afro-Latina & Afro-Latinx-Q Artists
      • Don't tell me what to do: Creative Careers Vol. 1
      • The Aesthetic Lens: Engaging Sociopolitical Injustice Through Art
      • Artists Treading Water
      • Social Justice Speaker in Residence
    • Press >
      • Student Project
      • Donor Mural
    • CV
  • Blog